David Gessel
Supper club diva
Dinner with Chris and Mona.
Tossed like a Salad…
The New York Times had an article about the trials of the survivors of Ike in Texas. Pretty dramatic, but nothing highlights the malevolence of a storm than an allusion to tossed salad:
“Outside, the peninsula was under siege. Flooding and winds moved beach houses onto the highway, tore off awnings and walls, and rushed straight through houses and businesses, leaving their roofs intact but their insides tossed into a salad of clothing, furniture and debris.”
Lucien
“The best new restaurant” in Toronto.
And, indeed, very good.
The Last Command (& Alloy Orchestra)
The Last Command is the 1928 silent movie staring Emil Jannings as the Grand Duke of the Tsar’s army and tells the story of his last battle, his capture, escape, and eventual demise in Hollywood as an extra in a film close to his own life.
It is the best silent movie I’ve seen – I genuinely enjoyed it, and I rarely connect to older films, let alone silent ones.
Part of the magic was the performance of the Alloy Orchestra – they are really exceptional and it was a treat to hear their score.
A Pervert’s Guide To Cinema
A Pervert’s Guide to Cinema is not as promising as the title would suggest. It is a wonderful collection of clips of various movies that are far more effectively tied to together cinematically than they are philosophically. Slavoj Zizek narrates a discussion of his apparent discomfort with sex, shame at being male, and hatred of his parents as if they were universal neurosis somehow illuminated by cinema. I found his critiques and comments on the films and directors generally interesting and compelling. His generalizations about the motivations for sex, arousal, libido, etc were pretty silly. Comparing the marx brothers to the Id, the Ego, and the Superego… hmm… I found Bataille’s Erotism: Death And Sensuality better thought out, if equally inapplicable to people not plagued with some serious issues.
(Friday, Aug 29 2008 Telluride Film Festival)
Tulpan
Tulpan is about a young naval officer who joins his sister’s family on the steppe’s of Kazakhstan to start his life as a shepherd and fulfill his dreams of living under the stars in a yurt with 900 channels of satellite TV.
He seeks the hand of the mysterious and unseen eponymous “Tulip” the only marriageable woman on the steppe for 500 miles, and either she finds his ears too large (though they are less prominent than Prince Charles’) or her mom is blocking the proceedings. Either way, he is thwarted in his dream and is driven to consider leaving the steppe for the city with his regge loving tractor driving friend who delivers water and essentials to shepherds.
Along the way we witness the birth of a sheep, a protective camel, and a pretty amusing collection of pretty amazing animal moments. It’s funny and cute but perhaps not as engaging as the Cannes prize would suggest.
Glago’s Guest (short) Tulpan was preceded by Glago’s Guest, a Disney short about the minder of Station 7 who’s uneventful days fill piles of logs until one day a something very unusual visits in an act of charity.
Friday, Aug 29 2008 Telluride Film Festival
Exploding Seed Pods
Up in the East Bay Hills there are these shrubberies that about this time of year grow furry seed pods. Last time I was up there running I heard a series of loud pops and snaps that I thought were some kind of insect feeding in the bushes.
I looked for whatever enthusiastic bugs were having a good time in the bushes and found none… and just by luck brushed a seed pod and set it off. It exploded with a loud snap and sprayed my hand with small black seeds.
I noted the trail was peppered (sort of literally) with tiny black seeds and pods were exploding all around.
Rental Mustang
The Canadian version is pretty much the same as the US version.
It looks like Internet radio is going away. That’s sad because it was a good application of streaming IP media and a nice innovation. It’s also sad because it demonstrates once again how divorced copyright law is from the constitutional clause that justifies it:
To promote the progress of science and useful arts, by securing for limited times to authors and inventors the exclusive right to their respective writings and discoveries
Copyright is not a property right; copyright is an agreement between the public and authors & inventors creating a privilege of limited exclusive right as incentive for dissemination of ideas because otherwise authors & inventors have only the choice of keeping their inventions secret or sharing them that the recipient does what he or she will with the information without limitation, which is the natural right of the recipient.
Any mechanism of securing exclusive right to the author or inventor must meet two tests to be constitutional:
An attempt was made to test the absurdly long exclusive term against the “limited” requirement and that failed because any finite term is by definition limited.
The test that must now be made is against the requirement that copyright laws “promote the progress of science and the useful arts.” The burden of proof should be on demonstrating that the laws do promote the progress of science and the useful arts because copyright is a limitation on the rights of the public and therefore intrinsically a burden on society. In granting copyright society temporarily yields their natural right to a privilege offered authors & inventors, a privilege that may be revoked at any time.
Current copyright laws do not pass the test of promoting the progress of science and the useful arts; they are a burden on innovation and have systematically retarded the progress of science and technology, strangling many significant innovations, once again with internet radio. Current copyright laws are therefore unconstitutional.
And seriously retarded.